Edra

Getsuen Armchair

Designed by Masanori Umeda

Armchair lily-shaped, delicate in appearance, but hiding a solid steel structure modeled by hand. High technology combined with performance skills.

Made in Italy
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Made in Italy
Armchair lily-shaped, delicate in appearance, but hiding a solid steel structure modeled by hand. High technology combined with performance skills.

Armchair lily-shaped, delicate in appearance, but hiding a solid steel structure modeled by hand. High technology combined with performance skills.

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Product details

Dimensions

FLWG10 Armchair
Width: 100 cm
Depth: 90 cm
Height: 90 cm
Seat Height: 45 cm

Materials

Cover: Velvet, not removable
Wheel-Support: Chromed steel with grey PLT wheels, or on request green lacquered steel with green PLT wheels

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Getsuen Armchair

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Edra

Their non-conventional debut in 1987 was based around the "I Nuovissimi" collection, furniture pieces conceived by young, relatively unknown designers. The company grew rapidly with its innovative approach and art direction of Milan-based architect Massimo Morozzi. The aptitude of talent scouts has allowed the company to bring together some of the most interesting new designers, such as Alessandro Mendini, Masanori Umeda from Japan, Francesco Binfaré, Fernando and Humbero Campana from Brazil, Ross Lovegrove from Wales, and some top architects, such as Zaha Hadid and the Australian studio Denton Corker and Marshall to develop products that are grounded in fresh, contemporary ideas. Flexible in its organisation, Edra makes resourceful use of the skills of its local area to create innovative products, at times revolutionising classic upholstered furniture.

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Masanori Umeda-Space Furniture SG

Masanori Umeda

Japanese designer Masanori Umeda attended the Kuwasawa Design School in Tokyo until 1962 and between 1967 and 1969 was employed in the Milan design practice of Achille and Pier Giacomo Castiglioni. Basing himself in Italy, he was a design consultant for Olivetti where he met Ettore Sottsass. In 1981 Ettore Sottsass invited Umeda to participate in the Memphis exhibition at the Milan gallery Arc in 1974. In 1981 Masanori Umeda designed Tawaray, his signature furniture piece in the form of a boxing ring. Umeda returned to Japan in 1986 and opened U-Meta Design, his practice in Tokyo. He continued to design a great many Postmodern, often poetically playful pieces of furniture, including the blossom-shaped Getsuen and Rose armchairs developed for Edra.
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