Edra
Veronica Coffee Table
Clear and with the lightest of shades of colour, suave, imperceptible, in this collection where each model is made from a single weave of polycarbonate, moulded by hand in the classic green colour of natural glass.
The collection is composed of a low armchair, quintessential like the three tables that accompany it. An irregularly shaped three-legged table, a square table and a large rectangular one.
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Edra
Veronica Coffee Table
Clear and with the lightest of shades of colour, suave, imperceptible, in this collection where each model is made from a single weave of polycarbonate, moulded by hand in the classic green colour of natural glass.
The collection is composed of a low armchair, quintessential like the three tables that accompany it. An irregularly shaped three-legged table, a square table and a large rectangular one.
Edra
Their non-conventional debut in 1987 was based around the "I Nuovissimi" collection, furniture pieces conceived by young, relatively unknown designers. The company grew rapidly with its innovative approach and art direction of Milan-based architect Massimo Morozzi. The aptitude of talent scouts has allowed the company to bring together some of the most interesting new designers, such as Alessandro Mendini, Masanori Umeda from Japan, Francesco Binfaré, Fernando and Humbero Campana from Brazil, Ross Lovegrove from Wales, and some top architects, such as Zaha Hadid and the Australian studio Denton Corker and Marshall to develop products that are grounded in fresh, contemporary ideas. Flexible in its organisation, Edra makes resourceful use of the skills of its local area to create innovative products, at times revolutionising classic upholstered furniture.
Jacopo Foggini
Jacopo Foggini was born in Turin and currently lives and works in Milan. He explores art and design crossing the boundaries imposed by the conventions of those disciplines. Jacopo joined the family business early in his career where discovered the versatility of the methacrylate, an industrial material normally used in automotive design. His first experimentation with this material date back to the beginning of the nineties, when he starts using a machine of his own invention that heats the methacrylate up to 200 degrees Celsius, producing a filament that he models with his hands to create luminous shapes, monumental works and mazes of threads in an elegant intertwining of colours.
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