Baxter

Loom Table

Designed by Christophe Delcourt

Designed as a parametrically rhythmic architecture, the base of the LOOM table, with its fused glass top, machined with a technique that yields imperfect surfaces, “pays homage to the fusion of material, form and function, characteristic of post-war Brazilian design, achieving aesthetic perfection. At the same time, it draws inspiration from American kinetic art, delving into visual perception and movement to capture the imagination of the viewer.

Made in Italy
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Made in Italy
Designed as a parametrically rhythmic architecture, the base of the LOOM table, with its fused glass top, machined with a technique that yields imperfect surfaces, “pays homage to the fusion of material, form and function,...

Designed as a parametrically rhythmic architecture, the base of the LOOM table, with its fused glass top, machined with a technique that yields imperfect surfaces, “pays homage to the fusion of material, form and function, characteristic of post-war Brazilian design, achieving aesthetic perfection. At the same time, it draws inspiration from American kinetic art, delving into visual perception and movement to capture the imagination of the viewer.

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Baxter

Loom Table

Designed by Christophe Delcourt

Designed as a parametrically rhythmic architecture, the base of the LOOM table, with its fused glass top, machined with a technique that yields imperfect surfaces, “pays homage to the fusion of material, form and function, characteristic of post-war Brazilian design, achieving aesthetic perfection. At the same time, it draws inspiration from American kinetic art, delving into visual perception and movement to capture the imagination of the viewer.

Baxter

Baxter

Launched in Italy on January 1990, Baxter is the combination of experience and passion, a sense for business, a desire not to follow the rules, and the spirit and feeling evoked by the Made in Italy philosophy. Describing Baxter as “the story of encounters, ideas, but above all of people”, founders Luigi Bestetti and his nephew Paolo Bestetti began their journey towards the contemporary by pursuing "the freest expressiveness”.

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