Arflex

Ciclope Mirror

Designed by Claesson Koivisto Rune

Claesson Koivisto Rune wanted to update design by enlarging the usual small and historical mirrors into a larger object, making it the focal point of an interior space.

Made in Italy
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Made in Italy
Claesson Koivisto Rune wanted to update design by enlarging the usual small and historical mirrors into a larger object, making...

Claesson Koivisto Rune wanted to update design by enlarging the usual small and historical mirrors into a larger object, making it the focal point of an interior space.

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Product details

Dimensions

Diameter: 103 cm
Depth: 7 cm

Materials

Frame: Black or grey RAL 7036 or night blue RAL 5011 or bordeaux arflex lacquered MDF.
Optional lacquered version: Gold.
Parabolic surface: Extruded thermoplastic.

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Ciclope Mirror

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Arflex

Arflex

In 1947, a group of technicians based in Pirelli in Italy began experimenting with new materials and technologies in the creation of cutting-edge, modern furniture. This was the beginning of the Arflex brand, established on the meeting of technology and aesthetic sensibilities, and driven by a high level of research and experimentation. Officially presented to the public in 1951, Arflex quickly gained recognition for their manufacturing philosophy.
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Claesson Koivisto Rune-Space Furniture SG

Claesson Koivisto Rune

Claesson Koivisto Rune is a Swedish architectural partnership, founded in 1995 by Mårten Claesson, Eero Koivisto and Ola Rune. It started as an architectural firm, but has since become a multi-disciplinary office with an equal emphasis on both architecture and design.

Mårten Claesson, Eero Koivisto and Ola Rune met in 1992 as students at University College of Arts in Stockholm. The trio’s strong desire to connect space and objects inspired them to complement their studies from University College of Arts with architectural studies at Parsons School of Design in New York City, Schools of Architecture, Design and Conservation in Copenhagen and Aalto University in Helsinki.

The office’s work spans from private villas and luxury hotels to furniture, jewellery and cement tiles. Their architectural language has been called “the epitome of the aesthetics of the new millennium” (Paola Antonelli, Design Curator at MoMA).

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